Selsey Camera Club

The Club

Selsey Camera Club was founded in 1969 and has been a thriving camera club ever since. We are open to members of all ages and are a small friendly club. We welcome members of all abilities to join us and our more experienced members are always on hand with any advice or queries you may have.

All members are invited and encouraged to take part in all competitions and activities. It doesn't matter if your camera is film or digital, simple or complicated, cheap or expensive, all are welcome.

We hold our meetings every other Monday starting at 7.30pm in St. Wilfrid's church hall. For a map and directions on how to get there please click Here

News

Next Meeting

23rd January
An “Open” DPI competition for the Barbers Trophy.
Judge: Walter Benzie ARPS
 

Leila Johnson Trophy

On Monday 21st November we held our annual set subject competition in which members competed for the Leila Johnson Trophy. The subject for this year’s event was “Wildlife”, which had been chosen by the committee following many suggestions from members. A total of 74 photos were entered, made up of 33 prints and 41 DPIs, this being our only competition involving both formats.
Members entered a wide range of interesting wildlife images which included wild animals, garden birds, water fowl, squirrels, butterflies, insects, sealions and deer.
Our judge for the evening, Mike Constable from Littlehampton Camera Club, gave thoughtful consideration to each entry, drawing attention to good aspects and frequently giving tips on improving composition through the careful use of the cropping tool.
Mike was clearly impressed with the range and quality of the entries, as no fewer than nineteen entries qualified for certificates of merit, including five gaining full marks ! However, after much deliberation, Mike declared the winning entry to be a DPI submitted by Dave Johnson entitled “Phantom Raspberry Blower” – an excellent close-up of a giraffe’s head with its tongue protruding.

Phantom Rasberry Blower By Dave Johnson

PHANTOM RASPBERRY BLOWER by Dave Johnson.NEF

Why You Should Use Levels in Post Production

How many of you spend many hours and much creativity getting the image as perfect as possible in camera, then return to Photoshop or similar and use the brightness, contrast and color controls for your post production. If this sounds like you, then maybe you should have a look at the levels control in your editing program. Whilst this is not intended to be a tutorial on the levels controls, I will explain briefly how to use them before explaining why you should use them
Click Here: Why You Should Use Levels in Post Production

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